By Jacob Edmond
In a standard Strangeness, Jacob Edmond exemplifies a brand new, multilingual and multilateral method of literary and cultural experiences. He starts with the doorway of China into multinational capitalism and the looks of the Parisian flâneur within the writings of a chinese language poet exiled in Auckland, New Zealand. relocating between poetic examples in Russian, chinese language, and English, he then strains a chain of encounters formed via monetary and geopolitical occasions from the Cultural Revolution, perestroika, and the June four bloodbath to the cave in of the Soviet Union, September eleven, and the invasion of Iraq. In those encounters, Edmond tracks a shared main issue with strangeness by which poets contested outdated binary oppositions as they reemerged in new, post-Cold conflict forms.
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A Common Strangeness: Contemporary Poetry, Cross-Cultural Encounter, Comparative Literature (Verbal Arts: Studies in Poetics) by Jacob Edmond